Welcome to Cave Wall, a literary journal of poetry and art.
TABLE OF CONTENTS
POETRY
ANGELIQUE ZOBITZ
Sister/Seraphim, inextinguishable light
These are the mysteries of my faith
DION O'REILLY
blessing the burn
Seattle Freeze 1978
RENEE SOTO
from Road Trip With My Mom When We Are the Same Age
Savannah to Tybee and Back
All Dogs Must Be Leashed,
JEFFREY BEAN
My great-great grandfather's glasses
BENJAMIN S. GROSSBERG
PrEP Day 0/ After AIDS
PrEP Day 35/ I Want To Be That Guy
PrEP Day 93/ For Men, the First Real Date Is in Bed
MATT MASON
The Lost Parking Garage of Tsojcanth
ROXANNE HALPINE WARD
The Medical Editor as Product Owner on the Agile Scrum Team
ABBIE KIEFER
A History of Work
ANGELA DRIBBEN
Young Mothers
Where I'm from
Fried Green Tomatoes and Shame
The sting and the itch
DEVON MILLER-DUGGAN
The Wide Sky Opens My Hand
Prayer, with Journey and Pasture
ERIK JONAH
Shimmer
Maror
JULIE HANSON
Tele-
ANGELA SUCICH
Second Date at Waterfront Park
Deciduous
DANNYE ROMINE POWELL
My Mother at Her Mending
August
BRADY THOMAS KAMPHENKEL
My Words Fell with You
A Pianist
M.L. BROWN
Revenant
From Water
ELLEN KOMBIYIL
The Tangle of After
Poem for Lent
RUTH DICKEY
My father says, As we look out in space, we're looking back
Canticle of bubbles
JOHN POCH
The Bubbles Below Castello Aragonese
HAN VANDERHART
When My Grandmother Barbara Jean Was Dying, My Mother Sat on Her
Bed and Played "House of the Rising Sun" on Her Guitar, Because It Was
the Only Song She Knew
JOHN KRUMBERGER
This Is It
BRANDON AMICO
The Pleasure of Long Sentences
LAURE-ANNE BOSSELAAR
First Day of the New Year
Infinitives
Seven Years Now,
Earbug
ANNE MCCRARY SULLIVAN
Driving Loop Road
ART
ELVIA PERRIN
Flatwork 1
Palisade 2
Chiral
Stones
Flatwork 2
POETRY
ANGELIQUE ZOBITZ
Sister/Seraphim, inextinguishable light
These are the mysteries of my faith
DION O'REILLY
blessing the burn
Seattle Freeze 1978
RENEE SOTO
from Road Trip With My Mom When We Are the Same Age
Savannah to Tybee and Back
All Dogs Must Be Leashed,
JEFFREY BEAN
My great-great grandfather's glasses
BENJAMIN S. GROSSBERG
PrEP Day 0/ After AIDS
PrEP Day 35/ I Want To Be That Guy
PrEP Day 93/ For Men, the First Real Date Is in Bed
MATT MASON
The Lost Parking Garage of Tsojcanth
ROXANNE HALPINE WARD
The Medical Editor as Product Owner on the Agile Scrum Team
ABBIE KIEFER
A History of Work
ANGELA DRIBBEN
Young Mothers
Where I'm from
Fried Green Tomatoes and Shame
The sting and the itch
DEVON MILLER-DUGGAN
The Wide Sky Opens My Hand
Prayer, with Journey and Pasture
ERIK JONAH
Shimmer
Maror
JULIE HANSON
Tele-
ANGELA SUCICH
Second Date at Waterfront Park
Deciduous
DANNYE ROMINE POWELL
My Mother at Her Mending
August
BRADY THOMAS KAMPHENKEL
My Words Fell with You
A Pianist
M.L. BROWN
Revenant
From Water
ELLEN KOMBIYIL
The Tangle of After
Poem for Lent
RUTH DICKEY
My father says, As we look out in space, we're looking back
Canticle of bubbles
JOHN POCH
The Bubbles Below Castello Aragonese
HAN VANDERHART
When My Grandmother Barbara Jean Was Dying, My Mother Sat on Her
Bed and Played "House of the Rising Sun" on Her Guitar, Because It Was
the Only Song She Knew
JOHN KRUMBERGER
This Is It
BRANDON AMICO
The Pleasure of Long Sentences
LAURE-ANNE BOSSELAAR
First Day of the New Year
Infinitives
Seven Years Now,
Earbug
ANNE MCCRARY SULLIVAN
Driving Loop Road
ART
ELVIA PERRIN
Flatwork 1
Palisade 2
Chiral
Stones
Flatwork 2
CAVE WALL PRESS, LLC
| (Cover Art: Elvia Perrin, Flatwork 1) |
 |
| |
 |
| |
 |
| |
 |
| |
 |
| |
 |
| |
 |
| |
 |
CURRENT ISSUE--Issue #17, Spring/Summer 2022:
About our issue 17 artist:
ELVIA PERRIN’s work ties abstract imagery, geometric lines, and clean-cut
shapes to balance the femininity and masculinity of process and print. She
balances making, collage, and structured form using the female approach to
construct work that exhibits the banal of formalism, finds order in the layering
textures and traces of patterns with a quiet minimalist approach. Elvia received
her MFA from University of North Texas at Denton in 2002. She has taught
printmaking and foundation courses for over a decade. She is a Lecturer of Art at
Texas State University and co-founder/former Executive Director of PrintAustin, a
city-wide contemporary print event. She has collaborated with Pottery Barn, Crate
and Barrel, and TRNK, NY and has shown nationally and internationally. She is
represented by Wally Workman Gallery and Roan and Black Gallery and lives in
Austin, Texas.
ELVIA PERRIN’s work ties abstract imagery, geometric lines, and clean-cut
shapes to balance the femininity and masculinity of process and print. She
balances making, collage, and structured form using the female approach to
construct work that exhibits the banal of formalism, finds order in the layering
textures and traces of patterns with a quiet minimalist approach. Elvia received
her MFA from University of North Texas at Denton in 2002. She has taught
printmaking and foundation courses for over a decade. She is a Lecturer of Art at
Texas State University and co-founder/former Executive Director of PrintAustin, a
city-wide contemporary print event. She has collaborated with Pottery Barn, Crate
and Barrel, and TRNK, NY and has shown nationally and internationally. She is
represented by Wally Workman Gallery and Roan and Black Gallery and lives in
Austin, Texas.